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To my mind I Love You, I Love You is Resnais' finest film since 1961, and I could easily put it at the same level with Hiroshima and Marienbad. It's a shame that Je t'aime, je t'aime is Resnais' most forgotten film because it easily survives multiple viewings and is nearly a perfect piece of work. In 1967 Alain Resnais started to film Je t'aime, je t'aime which, despite a few good reviews, was instantly overlooked and left in the shadows of the incidents in May 1968. However, after Marienbad he made Muriel, and after Muriel he made The War Is Over, both of which were quite well received and not overlooked. These two films, alongside with the documentary Night and Fog, are usually the only ones people remember by Alain Resnais. In his own words, it was his first attempt to deal with the subject of thought.
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In 1961 he directed his second film Last Year at Marienbad which still was strictly in the district of the Nouvelle Vague. Reviewed by ilpohirvonen 10 /10 The Narrow Trap of LoveĪlain Resnais made his first feature film in 1959, and just as most of the films by new wave directors, so has Hiroshima mon amour remained as his most remembered film. He does not travel forward in time,however,but back ,precisely one year to a beach in Brittany.The experiment is supposed to last for a minute but something goes wrong and he is trapped in the machine.Now he experiences a host of memories brought sharply back to life,some important,others banal,in a kaleidoscope of sharply edited images which brings to mind the montages of "Muriel".The theme is reminiscent of many films from "La Jetée" to "The eternal sunshine of the spotless mind" and this rarely seen film is definitely one of the most important of Resnais' career. Having nothing to lose,he readily agrees and enters the bizarre contraption along with a white mouse,although unlike the fly in Cronenberg's film there is thankfully no genetic mutation involved.
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When he leaves,two doctors who have a constructed a time machine ask if he would like to participate in their experiments. Reviewed by Ethan_Ford 10 /10 neglected Resnais masterpieceĪfter the political theme of "La guerre est finie",Resnais returns to his familiar subject,time,in all its complexity in this film which is almost as opaque as "Marienbad" or as unsettling as "Muriel".Ridder is a publisher whose girlfriend is accidentally killed and who feels in some way responsible for her death.After listening to a recording by Thelonius Monk,he unsuccessfully attempts suicide after which he has a lengthy recuperation in a hospital. Human perception of the so-called reality, our ability to create new ones every morning and every time 'self-interrogation about memory and memories' comes from the bottom of forgetfulness to the present moment to change our view on events are described in such a unique and powerful aesthetic way that this piece of cinematograph makes 'Je t'aime, Je t'aime' an unique experiment as 2001 is and will be. A forced introspection by the most violent and merciless way to revive key moments of his life (re-live them as they happen is the scientific purpose but why not re-live them mixed up with his subjectivity ? How great is the strengh of our past on the present when we have the opportunity to change it ? This film's also about weakness of memories in front of memory's complexity) brought by an organic space machine would of course make the travel more difficult than it is for his companion, an academical white mouse which allow itself to sneak into his past.
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If you ever experienced resnais' border lined cinema, you'll obviously understand that this movie will not use the same old usual vision of time travel, (basically 'where and when' HG Wells stuff ) Formally, try to see it as a sequel of emotional paintings of the hero's past life (more than 150 sequences from 2 seconds to 2 minutes, which may or may not have links between them), about the life which he and his accidentally past away wife Catrine tried to built in the late 60's in Paris. The plot's rather simple a neuropathed mood man (Claude Ridder) who tried to commit suicide is selected by a secret organisation in order to experiment a very dangerous and quite hopeless travel, a journey in his own past. Watch the last to catch a glimpse of the process in which Resnais can create a powerful masterpiece out of nothing. To be honest, french sci-fi can almost be summarized in 'La Jetée', 'Paris n'existe pas' (don't even try to find this one.) and 'Je t'aime, Je t'aime'. Reviewed by Paul_Durango 10 /10 The Most Clever, Thrilling, Styled, 'French for Good' Filmed Biography Ever.